[JIL] Capture Presets v.5.5
Capture Presets define the output format of a Recording (codec, container, resolution, audio channels, etc.). Before you can start Recordings with Just Control, you have to create one or multiple Capture Presets. After defining Capture Presets you can quickly access them in the Just Control Inspector. This speeds up the Recording process and helps keeping things organized.
To make any changes within the Just Control Configuration panel, you have to unlock the panel first.
Overview
Open the Just Control Configuration panel, select a Device and switch to the “Capture Presets” tab.
Capture Preset List: shows all available Capture Presets. Use the buttons below to add and remove Capture Presets. Double-click on a Capture Preset Name to adjust the Preset Name.
Capture Preset Configuration Options: Set options for a Capture Preset.
TV Norm: select the TV Norm.
Container: select the Container.
Aspect Ratio: select the Aspect Ratio.
Codec: select the Codec. After selecting the Codec you may be asked for the Frame rate and Resolution as well.
Audio Channels: select the number of Audio Channels. After selecting the Audio Channels you may be asked for the Audio Track Alignment (Mono or Stereo) as well.
Burnt-in-timecode: enable this setting to burn in the given timecode to the recorded files.
Audio Mapping: use this option to change the audio output mapping for the recorded files.
Overlay logo: with this option, it is possible to overlay a logo/image on the video of the recorded video files.
Do not write captions to container: enable this options to avoid writing closed caption data into the recorded file.
MOV Writing: Choose between “Classic” and “Segmented” here. The “Classic” option is recommended for most use-cases, for instance when working with growing files in Adobe Premiere Pro. The “Segmented” option is for working with growing files in just:play & just:live.
Add a Capture Preset
In the Device & Channel List select a Device. Click on the Capture Presets tab and press the Plus ("+”) button to add a new Preset.
A new window appears, where you have to enter the Name of the new Capture Preset. Press the “Create” button to go back to the Preset option.
Next configure the new Capture Preset. It will be saved automatically after all options are set.
Capture Preset options can be changed at any time.
Edit an existing Capture Preset
Select an existing Capture Preset and change the options on the right side. The changes will be saved automatically.
Remove a Capture Preset
Select an existing Capture Preset and use the Minus ("-”) button below the Capture Preset list to remove the selected Capture Preset.
Apple ProRes & Avid DNxHD/HR
When creating an Apple ProRes or Avid DNxHD/HR based Capture Preset you have to select the Frame rate and Resolution, after selecting the codec option.
Audio Channels and Audio Track Alignment
You can choose between 2, 4, 8 and 16 Audio Channels for Capture Presets. Some configurations may require an Audio Track Alignment setting as well.
Please note, that some codec/container options allow only 2, 4 or 8 Audio channels as options.
Audio Mapping
The Audio Mapping feature enables the possibility to adjust the output mapping for the recorded video files of the incoming audio channels in a very simple way.
H.264 Settings
When creating a H.264 Capture Preset you have to select/adjust some H.264 specific settings.
There are different values and settings that can be customised within a H.264 Capture Preset. Initially the container type can be selected. There are three options available:
AVFoundation QuickTime
MP4
MPEG TS
H.264 is a very complex standard and sometimes it is very difficult to work with this codec and its settings. Therefore just:in linux provides various options, which can be modified within a H.264 preset. After choosing the container type you have to define two general settings:
Resolution
Frame rate
Next you have to select the H.264 profile. Here you can choose between multiple encoder profile options. Here you can select predefined custom ones, like Cantemo or iconik Proxy as well. Then you can set the Speed option and the Bitrate in bit/s.
Burnt-in-timecode
With this feature it is possible to burn in the current timecode into the recorded video files. You can adjust the size (Timecode Size) and the position (Vertical (Y) offset from bottom) of the burnt-in-timecode.
Overlay logo
The Logo Overlay feature can be used for adding an image or logo on the top of the recorded video files. This feature works similar to the burnt-in timecode option and can be enabled for any Capture Preset.
Image Path: here you have to enter the path to the image/logo on the just:in linux server.
Top Position: pixels from the top of the video file.
Left Position: pixels from the left of the video file.
Opacity: choose a value between 0 and 1 (0.5 for instance).
Growing Files
just:in linux supports growing files (for macOS and Windows based NLE) with various formats. If you have specific needs or questions, please do not hesitate to contact us. When you are working with Adobe Premiere Pro, please check this Adobe Knowledge-base article as well.