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  • Filenames: define your naming scheme convention here. In the drop-down box on the right, you can choose the media container. For Final Cut Pro 7, Final Cut Pro or Adobe Premiere Pro (CS6/CC/CC 2014/CC 2015-2023) you can use either ".mov" or ".mxf" container settings.

    • Variables: you may use Variables for the filename naming scheme. Available Variables are listed below.

  • Media Paths

    • High-Res Media Paths: select the location of the high-res media files. This folder is the main location for your media and must point to the same volume path as the Destination Preset you are using.

    • Proxy Media Paths: select the location of the low-res proxy QuickTime files. This folder is the main location for your proxy media. 

  • Final Cut Project:

    • Create a new Final Cut Project: takes are immediately exported into a Final Cut Pro project file, whenever a recording is stopped or an export is initiated.

    • Append to Final Cut Project: the Final Cut Pro project file can be set in advance, thus enabling the possibility of automated delivery of different Final Cut Pro project files. Example: if you want to create one Final Cut Pro project per day, choose "Append to Final Cut Project" and set the name of the project file to "%Date". A new Final Cut Pro project will then be created for every day. Any take recorded take during this day will be delivered to this project. Available Variables are listed below.

  • Final Cut XML Backup

    • High-Res Directory: export location of the high-res XML file. This backup folder can act as a watch folder for external MAM systems.

    • Proxy Directory: export location of the low-res XML file. This backup folder can act as a watch folder for external MAM systems.

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